paramida proudly presents tehran bomb - the first in the new edit series from love on the rocks. this ep represents the first outing for label boss paramida on her own love on the rocks imprint since its debut ep from massimiliano pagliara in 2014. two edits bound to induce air raid sirens and international sanctions from isfahan to tel aviv, a-side beyond katovl channels peak time hi-nrg tension and proto-trance euphoria to send early-morning chills down the spines of unwitting ravers and u.n. delegates alike. b-side ms. bombastic takes the long way home, luring unsuspecting bystanders into a hypnodelic desert march to the outer rims of the after hours, proceeding through the neukölln sahara with a heavy-driving bassline on a seven-minute journey to a hitherto-unknown spiritual oasis. supported by camel herders and snake charmers from here to ahvaz. b-o-o-m.

die londoner produzentin und nts-radio moderatorin throwing shade veröffentlicht eine electronica-pop ep auf ninja tune. viele musiker betonen ihre vielseitigkeit, aber nur wenige können mit einem master of philosophy und jahrelanger erfahrung bei der arbeit für internationale menschenrechte in südafrika aufwarten. die londoner produzentin throwing shade, welche unter anderem auch von ihrer show auf dem londoner nts radio bekannt ist, veröffentlicht mitte märz ihre 5-track ep “house of silk” auf ninja tune. mit ihrem glänzenden electronic-ambient-pop ist sie einer der vielversprechendsten acts 2016.
pressung auf weißem vinyl, downloadcode inklusive.

no fancy business class air lounge mumbo jumbo this time, no.8 just got clearance for take off and this one is first and foremost for the pilots. the a side hits you loud and direct like a cessna centurion engine, accessible, reliable and just damn good in the air. now if b1 is some kind of an adventurous but gentle doppel-decker, manoeuvrable­ small craft, then low altitude b2 breaks the cloud cover to take you on that magic night-flight you might later be uncertain if it ever really happened. limited edition - vinyl only !

ok, this is a new record by red stars over tokyo: one that feels like a transition to a new phase. if it finds you, i hope you like it. maybe i ll make another record in another two years, maybe i ll catch some glimmer of sunlight, somewhere.

after few acclaimed freestyles on the web (almost 1 million views) and the release of a first ep in late 2013, hugo délire aka hd turns up with his first album, “grand delirium”. between screeching humour, clever lyrics and driving productions, hd rap is considered to be technic, clever, stupid, uncommon, literary ... but above all it’s a breath of fresh air. supported by a a-list of french kickers : nekfeu, hippocampe fou, lomepal, yoshi, gaïden ... hugo délire aligns assonance on alliteration and offers a a first striking and assertive album.
the vinyl release includes a download code.

the parisian label starts with the ondulé family crew. and it starts well!! joss moog, around7, paul cut & hatelate feat his disco lady claire lennox. four tracks and a breath of fresh air for your future nights in club!! catchy melodic lines, dancin’ hooks & raw beats are on the menu. in short, this ep is gourmand, flavored with soul & groove served only on wax. all the ingredients that will make those guys ep an unlimited pleasure…

on silicon tare, the sci-fi story that seth haley, who records as com truise, began on the galactic melt lp and continued on the wave 1 ep takes a dark turn. at the conclusion of wave 1, the protagonist, earth’s first synthetic astronaut, successfully makes contact with the far-off wave 1 colony but, once he does, things get fuzzy. he falls in love, there is a war coming. a story that began in hope and dreams of discovery ends on an uncertain note. change is in the air.

the brand new pet shop boys album on white coloured vinyl, housed in a gatefold sleeve with download code included.

with summer just round the corner, hell yeah come up with some essential—and fully, officially licensed—new cuts from balearic gabba sound system edit master enzo elia. he touches up some historic italo house with his usual masterful touch and will have you yearning for boat party season before the tracks have even finished playing. if you loved the italian s take on soft house company what you need, you should go crazy for this new offering. up first is italo-piano-house classic morenas s hazme sonar, which is eight minutes of diva vocal athletics, big synths and pumping retro drums that will make you punch the air. fun and fulsome, it is a sure fire classic house winner this summer. jazzy doll s ladybird is next and in enzo s hands becomes a rubbery, ducking and diving house cut with big hand claps, bubbling bass and loose limbed percussion that is ripe for raves on the sea.

nice price deal !!! look for the brightest star at nightfall tonight. it’s easy to find because it’s so bright – brightest star in the sky. once you find it, turn around so that your back is to this bright star and you’ll be facing into the sun’s path. now lie down and look up and imagine that you re falling downwards. everything falls into place at the bottom of the sea. liquid horizons, like watercolor floating out from a brush dipped in water. unfamiliar landscapes, alien air, strange dreams. the brighter the light, the darker the shadow. everything has turned into deep space

in spain the soup is harsh but tasty served cold to staff in empty winter discos it replenishes their souls devoid of joy as they scavenge through left behind belongings the beatle grins and stirs the pot his recipe of gruesome memories reverberates through the stagnant air as tears fall into stale sangria.

mister ho and heap are ambassadors of the river danube. this is their first offering for the esp institute. on side a, collision resistance throws us into the bowels of an underground sex lair with an adrenaline-laden heartbeat for a kick drum, a rough dose of fisting illustrated by the combination of bassline with low-tom and an unrelenting snare that whips us raw into submission. somewhere in between the waves of punishment we can start to audibly pick up tortured moans of endurance and pleasure, but maybe its time we pull our minds from the gutter, wipe the sweat from our brow and flip the record for a reward. with side b’s veils of the beloved, mister ho & heap deliver us via speedboat to the white isle, coasting along to bouncy staccato bass notes and machine bleeps as a euphoric chord progression puts us in an 808 state of mind. the percussion arrangement and phasing string flourishes are introduced through a filter, opening slowly as if coming up for air from a beautiful blue abyss. these two songs are neither too salty nor too sweat

ark & pit spector continue their inspired journey with an extended ep full of groovy jams and absorbing rhythms for hold youth. the frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. on this new ep they go deeper into their sound explorations with five original works and a remix from their parisian buddy and hold youth member, le loup. first up, we go into bumping jazzy territory with ‘chauffage central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. straight up after that, hold youth rudeboy le loup gives ‘chauffage central’ a funky little rework, throwing live sounding percussion, nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. the final track on side a, is a cheeky teaser called ‘petite ondée’. rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. on the flip we kick off with ‘air conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. the bassline takes you to a new york city street and the whole atmosphere is that of an old school nyc neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘sub tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘averse et contre tous’ closes out the ep with a slothish ride into the sunset – ark and pit spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. another triumphant effort from ark and pit spector, in fact, some of the finest work to date. make sure you check it out!

after the killer club versions of bella ciao, leo mas & fabrice team up with italian ambient master gigi masin to deliver the already legendary laguna mix.

ltd to 300 copies
das komplex emerged from thin air last year with a series of tasteful 12 s that piqued ears from producer peers and vinyl seekers alike. near me , the latest offering from the polish impresario s coastal collection of body movers and mind melters, is a warmly welcomed fit for young adults 10th release. openwork socks kicks off the festivities with a sultry slab of machine music for soft humans. while tortuous thoughts dusts off the flutes, strings and soulful vocal samples for an all out disco-boogie jam that will fill floors with ease. the title track, near me, tips its cap to kraut and liquid liquid backbone elements as it chugs its way into a squelching 12-minute opus. finally pralina pounces on its way out with dubbed-out funk licks and slick phase shifts.

sonic fissures sizzle the bacon they ain t faking -blow your zip code-. a subterranean world of street wisdom and cosmo-ghettology. sensational spits grit over the grit, keep them swaying as they stagger from grey luminous fog coming in off the atlantic. a cohesive nugget of rolling energy my presidential rolex. kruton whips up jagged shards of rhythm into the air. elaborate thought processes conveyed through instinctive vocal responses cake! weapons grade prana, hooks and bass

vor über 35 jahren entschied sich phil collins dazu, sich neben seiner rolle als genesis-sänger auch als solokünstler zu versuchen. mit großem erfolg: jedes seiner acht alben landete gleich in mehreren ländern in den top ten der charts, viele sogar auf platz eins.
mit der reihe »take a look at me now« veröffentlicht der britische sänger jetzt alle acht soloalben seiner karriere erneut, und zwar als deluxe editions - remastert und auf audiophilem 180 gramm vinal gepresst. den anfang macht – wie sollte es anders sein – collins debüt: »face value«.

chilenian duo c. cordova & deep kontrol breezes into the resopal label with their conversation ep. this brace of music comes strictly from the south american mind: electronic dancefloor tracks with an air of futurism. -wir im wir- fuses a bouncing, morning groove with stabbing operatic vocals and light synth keys. -not god- keeps things raw and minimal - furry snares, rolling beat structure, hallucinatory blips bleeps and a certain kinda jack. -storyteller- completes this ep: in a minimal and most modern house way. this ep goes straight tot he dancefloor.

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kon’s startime.

der mitgründer des labels atomnation, pascal terstappen, präsentiert mit -for- den bereits vierten longplayer seines projekts applescal - und erfindet dessen sound gleich mal neu. hörte man sich terstappens output aus den vergangenen jahren an, so lernte man seine sorgfältig gebauten tracks und remixes schätzen, in denen verspielte percussion-strukturen und außerweltliche melodien in kompositionen mit einfließen, die sich irgendwo zwischen sofa und dancefloor bewegen. applescals voriges album -dreaming in key- bekam großes presselob und wurde von djs wie gilles peterson, laurent garnier und daniel avery gespielt. -for- klingt ähnlich unbekümmert, dennoch wagt sich der niederländer hier in tiefere gefilde. tracks wie -like you do-, -matter- und -overseas- tragen dieselbe handschrift träumerischer synthesizers und prickelnder grooves, ansonsten klingt die soundpalette reifer und selbstbewusster.

san proper gushing on dg..small initial pressing on this one... be quick... tip! san: “lovers, friends, fam. and fans – love is in the air, get ready.” finally, the craze you’ve all been waiting for. this ep listens like one of dr. proper’s infamous radio show or deejay set. impossible to categorize, dropping house, electro, funk, and paying homage to disco. l.o.v.e. is a collaboration with ms. hollywood. an alliance that results in the whole breathing sexy and deep. whereas san proper stays in character for the rest of the ep. his use of the reverb adds shine and glory, and the drums are hit hard. in other words, music with an unprecedented character–just the way we like it.

the evening wind carries the sound of distant music. raindrops running down the window like glistening pearls. those small moments, unimposing yet so intense and unforgettable. its this kind of moments that makes the sound of dolph stand out. the pounding heaviness of the kickdrum and the sharp smack of the clap might be omnipresent – but its not these rhythmic elements that make the magic happen. rather, its those small moments of understatement: dubby delays, whirling through the air like leaves. long filter modulations, morphing through the soundscape like wafts of fog. colourful harmonies, popping up like sudden flowers. a 10 inch vinyl comes with the mellow stimulation named free of thoughts as well as x, a collaboration by dolph and levolt.

side a
* 4 u (kick back mix):
warm and bouncy emax samples with screwed g lyrics – laid back evolution of drums – unexpected break announced by air raid siren and followed with euphoric disco theme.
side b
dedicated to late night club session.
* station wave (club mix):
heavy nonchalant slap bass – progression of house stabs and altered drums – final stage with infected juno voice.
* sneakers 91 (intuitive mix):
efficient wooden piano bass line – 90s digital horny horns – fatal female beat-box voices.

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

ep opener >air rising< is melodic cut sublimely crafted over stripped back drums, tranquil drawn-out keys and soft pads with a resonating vox that seamlessly dominates to dish up a an emotive start. >carpathia< oscillates into life through bouncy tones, shifting percussion and lively atmospherics to build towards a powerful crescendo to finish the healthy three-track single off in fine form. novio dub tribes steps in to somehow cultivating the original over rippling drums, warped atmospherics and shimmering synths, the culmination of which is a dubby fusion of sounds geared towards the dynamic dance floor.

van bonn presents on his new ep pluto dedicated techno music with a dubby edge. every tune of the ep points and reflects a different situation of the night. the eponymous opener pluto delivers a powerful groove full of drive, massive chords and sirens to thrill the air. twisted elements spice the dubby elements that melt into a massive break. 2650 pleases with a forward driving groove and modulated chord stabs. the massive bass goes hand in hand with the overall positive vibe created by subtle shifts of the harmony to round off an evolving tune that points on the dancefloor. the two heroes brendon moeller and eric cloutier remixed van bonn s original mixes. it needs to be said that it is amazing to welcome these two artists on this ep with their fantastic reshapes. brendon moeller remixed pluto and presents a stripped down, groovy and dubby affair that fathoms the wideness and depths of the original mix. brendon moeller s remix proves again that less is sometimes more. techno dub at its best. eric cloutier s remix of 2650 rounds off the ep with a gentle and deep driving dub house vibe. it is presented in the stripped down eric cloutier sound . full of details and little changes does eric cloutier s remix tickle your eardrum that makes you long for the next neverending open air session. but don t forget to go home.

!! repress !! the second album on ilian tape comes again out of munich city. skee mask doesnt spend a day without making music and the dedication, attention to detail and architectural approach really make this album an absolute trip to listen to. its the sound of a peaceful and energetic place. its smoky and cosy. its where skee mask spends most of his time. he lives for the music and we are really happy that this freak became a core member of the ilian tape family. this album is made for true lovers and hustlers. turn it up loud!

produced somewhere between a basement in brussels and an attic in the outskirts of paris, back when tape reel to reels, primitive rhythm boxes and analogue synths still carried a vague promise of the future, this music translated a certain atomic paranoia fuelled by the cold war industry. lo-fi music, abrasive, high pressure, dense, clipped to the max, like it was intended to punish any woofer that gets between it and the air.

constant sound founders jon woodall and burnski helm the label s latest 12inch under their constant name, with dub life featuring remixes from blackhall & bookless, s.a.m and a scott. dub life is a slithering, slippery and frictionless house roller with tunnelling percussive patterns, restless drums and myriad synth smears that really pull you down into a seductive groove. subtle vocals add character and ensure this one will keep floors locked for days. jaunt pair blackhall & bookless then step up with a fired up, peak time techno leaning bomb with barrelling kicks, ravey stabs and detroit referencing pads that really grab your attention. the s.a.m. reshape then offers up elastic, spaced out deep house vibes with airy hi hats, lots of height in the drums and plenty of feeling in the slithering synth lines that lace up the track. closing out the package is a remix from returning label artist a scott, whose fine remix is a lovably flabby and cavernous track with oodles of reverb, rattling train track like grooves and atmospheric pads that swirl all around you as you drift in his air beats.

argentinian producer, live act and tech whizkid alexis cabrera is back with a brand new release, a slice of stepping house, laced with minimal aesthetics on fun records, the recently christened label that he set up with fellow argentinian barem. the label emblem may be just an innocent looking balloon, but the contents of this vinyl release are far from lofty and full of hot air, instead grounding the listener through a mix of organic sound and digital dancefloor rhythms.

two of paris’ most respected artists get together for their second collaborative extended player this year. dan ghenacia and chris carrier have been entrenched in the electronic scene in their hometown for a long while now, both men building a strong rep through consistently great music and dj performances. earlier this year they joined forces on ‘just a sin’, released via carrier’s adult only label, now they’re back with the follow-up on apollonia. across three deadly tracks, the duo explore their love of music making machines to the fullest – each track taking its name from ‘sweet heart’, translated into different languages. ‘schatzi’ works off a modular synth, bursting out of the blocks with a wobbly bassline which supports a range of subtle effects together with infrequent vocal clips. as the track progresses warm rising pads and female vocal snippets create an entrancing atmosphere. next up we get an arabian twist with ‘habibi’. a pervading air of mystery presents itself right from the off, with warped voices lurking in the background as the rhythm lures you into its murky groove. as the track progresses more eerie pads and effects are layered over the stepping bassline giving it a very creepy feel. finally, french vibes comes through with ‘cherie’ on side b. the track draws its energy from the busy, though crisp, percussive elements and a b-line that groans in unison with the beats. a simple chime remains present throughout, keeping it minimal yet interesting.

locked grooves third release on his eponymous label sees the belgian deliver an intense and driving two tracker. following his memorable collaboration with mind against and a track on life and deaths some things rise compilation, end/scherzo reveals a dark rêverie. end, with its haunting, hypnotizing synths, pulls you deeper and deeper into the vortex while scherzo brings you back up for air with its lively play of arpeggios and crescendos. end/ scherzo arrives on december 11th on both physical and digital formats, while both previous locked groove records releases will be made available digitally for the first time on the same date.

with the first monasterio release, the team behind the moscow clubbing institution has aimed to recreate the atmosphere that has made the club such an important part of the russian techno movement. each track from the compilation strives to represent a dimension of the club’s style, starting with powerful opener the chamber. oliver deutschmann, a close friend of monasterio, references the main room of the club and takes us on an anthemic ride full of organs and sonic spectrum requisitioning buzz. the mutating and pulsating groove of russian resident unbalance follows, bringing forth a change in the atmosphere and the hypnotic synths and austere percussion work of young ukrainian talent recid take the listener to the prime hours of the party. danish dj/producer anastasia kristensen overtakes by ways of air in a high-speed modular chase, bringing the night to a close and leaving us with high hopes for our next journey through the corridors and chambers of the temple of techno.
supported by: ben sims, slam, laurent garnier, adam beyer, truncate, jonas kopp, ilario alicante, paco osuna, gel abril, ctrls, pfirter, xhin, regen, roman lindau, antonio de angelis, lee holman, abstract division, juho kusti, krenzlin, felix lorusso, david att...

underworlds 1996 album back as remastered reissue, pressed on heavyweight 180 gram vinyl.

at first sight, *100 ep* is the most abrasive techno output of portland duo asss. following their acclaimed singles on haunted air records, alex smith and sean sumler have crafted an excellent four-track assault of propulsive drum sounds filled with industrial textures. across the frequencies of *101* to *104*, dense dynamics and unpredictable manipulation of modules reflect their own spontaneous, improvisational style into a new highly destructive release. comes with insert.

for those who dont know, cray76 is joakims alias under the crowdspacer umbrella. a playground to explore his love of house and techno.

west side chicago hardware anthems. nick reads windbreaker project has been his refuge since the days of lazer crystal (thrill jockey). a chicago diy scene staple for over ten years, this is the first windbreaker full length. imagine kraftwerk being trapped in berghain and living off of floor scraps or christian hosoi pulling a christ air over the pyramids and you are somewhere close.

a fine 2015 for untilmyheartstops so far has seen the label usher in superb 12- releases from zach lubin, arnaldo, and duckett with the latter s pair of records a particular highlight. label co-founder leif is next up with taraxacum, his second album and umhss debut long-player and it may be their finest work to date. building on dinas oleu, his well-received 2013 debut album for fear of flying, the nine tracks on taraxacum show leif channelling all-new levels of immersion in his productions right now. very much an album you sink into, there are still tracks on taraxacum that will work on the dancefloor when you require something a bit hypnotic wed love to see a small club reacting to the startling an elephant madness for example. great work leif!

neue vinylauflage der neuen ausgabe der amorphous androgynous (aka future sound of london) compilationserie a monstrous psychedelic bubble. die der cosmic music australiens gewidmete ausgabe the wizards of oz enthält als lp 16 der insgesamt 33 tracks von künstlern wie tame impala, cybotron oder russell morris. klares vinyl.

with his third release of the bella avgvsta series, daniel bortz shows that augsburg offers more then its famous puppet theater. the opener don’t forget your sword provides crystal clear techno, discreetly interrupted by accented fades of an exotic theme. with rolling dub sequences, decent recurring swishes and a peacefull breaks jump in the water describes the impression to dive into the humid element. lonely soldier then provides more power again. the basic theme which is dominated by a minor tone displays an inner unrest created by the unknown that is daily lurking out there for us. the beautiful deep dub-track hide from the sun finally plays with the change of shimmering heat and chilly shadow. who does not know the feeling on a hot open-air-afternoon to take an occasional time-out from the merciless burning sun. overall this is the most personal and deeply emotional release and as we think a worthy highlight and conclusion for the bella avgvsta series.

derzeit existiert ein hype um den in manchester geborenen und in london ansässigen dj/produzenten sam shepherd. als dj legt er besten house, techno, soul und disco auf, als produzent elektronischer musik mit klassischer ausbildung beherrscht er die wunderbare kunst, eine äusserst organische fusion aus jazz, klassik, electronica, soul und brasilianischer musik zu kreieren, die er mit einem 11- bis 16-köpfigen ensemble auch so beeindruckend live vorführt, dass einem der atem stockt. zu seinen fans zählen four tet, theo parrish und kode 9. nach seinen aussagen kulminiert in seinem debütalbum *elaenia* alles, was er bislang musikalisch geleistet hat. jedes dj-set, das er spielte, jedes talent, das er produzierte, und jede komposition, die er bislang schrie, sind vorboten dieses werkes. die vinyl lp erscheint inklusive downloadcode.

sean pierce debuts on mannequin records with an intense dark / techno modular synth 6 tracks ep. currently operating out of portland, oregon, sean is one half of asss, who put out two acclaimed singles on mannequin records parent label haunted air records. check the monster dance floor slasher ‘immodest force. tip!

anouka started a year ago with her first sets on soundcloud and the response was incredible, building her fan base consistently. her debut ep traveller is released on soso, the label that she runs together with zusammenklang and oliver schories. the ep reflects what anouka always tries to express in her sets: showing that melancholy and happiness are very close together and they can work harmoniously. she recorded the vocals for both tracks by herself, which was challenging yet very rewarding. frequent traveller kicks things off nicely with its melancholic moodiness shining through as we meander effortlessly through berlin inspired melodies, while the sultry vocal sits wonderfully on top adding an extra layer of depth. christopher schwarzwalder is on remix duties, and from the off creates tension as this atmospheric rework subtly growls as it grooves. its sparseness is the key here, as this restrained gem works its magic. liberty is next as it tinkles away, creating a warm glow, and its caressed with its spoken french vocal, creating an air of sophistication. and rounding things off nicely is the midas 104 remix. this mystical touch up takes the energy levels up a notch, but increases the melancholy further and adding an air of just the right amount of wonkiness and quirkiness.

one of london’s most vital parties, continues it’s growth as a label with the next vinyl instalment after the highly sought after hot ep series, unearthing new global talent, world series lp02 we see a continued, unique blend of house, ballroom, grime and techno influences that are a staple for all emerging artists on the label.

spherical collections of stars form around black holes in situ, that is, locally to their cosmic neighbourhoods. it is said that future space colonization will rely on sourcing supplies in situ. construction in situ uses raw materials at the site: colossal sculptures such as naqsh-e rustam, the leshan giant buddha and mount rushmore were built in this fashion. wild, organic machine grooves, with a mind’s eye on naked treetops and an early sunset. melody breathes out from dubwise fx, percussion by turns sinewy and floating, sub blasts and stripped synth arrangements. keys on air. spacious, witty, melancholic, deadly.

part 1 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with moby, tangerine dream, air, vince clarke and many more. the double 12 inch release comes in gatefold sleeve).

alan fitzpatrick makes a triumphant return to the scene-leading imprint this august. the typically bombastic three-tracker of explosive, crowd-moving techno opens with love siren packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. ‘u said u is a massively hyped track that has been the subject of huge fan-demand since it first featured on beyer s drumcode radio in january. rumours wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies